In keeping with my mission statement in my first blog, I too am interested in bringing to light some of the outstanding players and recordings I have in my collection from the UK, both those of past masters as well as today's stars. I had begun a piece on some of the seminal figures in British jazz, particularly with an emphasis on those masters who are still active on the scene, thus teaching both by example as well as in the classroom.
American listeners have always heard and appreciated British players, for the most part concentrating on those who appeared frequently in the U.S. or are on major labels -- players like those noted in JazzWax, and other current notables like Norma Winstone, Kenny Wheeler, or John Taylor, to name just three who appear on more readily acessible labels like ECM and CamJazz. Some folks will also recognize the name Ronnie Scott, but perhaps as a club owner and location for some great live disks by Johnny Griffin, Ben Webster, Dexter Gordon, and other Americans, and not as a tenor saxophonist.
This blog highlights a few players and recordings of those who are not as well known, but have both the talent, discography, and gravitas to measure up as seminal figures to British artists, much as today in the U.S. we have our own octogenarians like Sonny Rollins or Roy Haynes.
Stan Tracey (born 1926) is perhaps the biggest name among those still active today. Tracey is a pianist who began recording in the 1950s and is still active today at age 85, having recorded a Child's Christmas Suite in 2011, a recording that made many of the British top 10 charts for the year. Not only an outstanding pianist, leader and composer, Tracey is also the father of Clark Tracey, a recognized drummer on the British scene, and a respected teacher to many fine young talents (who will be featured in subseqeunt blogs). The five outstanding recordings in my collection of Tracey's work include:
- Ben Webster and Stan Tracey, "Soho Nights Volume 1", 2008 Resteamed Records, recorded 1968 with Tony Crombie on drums and Dave Green on bass. This is one of those recordings at Ronnie Scott's and is just magnificent to hear, with the big round tones of Ben's tenor coupled with the smooth comping and soloing of Tracey. Note too that Crombie is one of the long-standing names in British jazz and is a frequent contributor to many fine recordings over the decades.
- "Senior Moment", 2009, Resteamed Records, is a personal favorite, a very subtle, relaxed trio in the groove.
- "Commonwealth Blues", 2005, Art of Life Records, contains recordings from 1965 from BBC radio, with Hayes playing on all three of his instruments -- tenor, vibes, flute. It also features a very young Gordon Beck (see below).
- "Live in London", Harkit Records, 2004. This disk has performances from 1964-65 at Ronnie Scott's.
- "Time Gentlmen Please", 2011 Trio Records, was a personal favorite of the past year. Among his support is Andrew Cleyndert on bass. Listen to the soft, carressing tones of "In the Wee Small Hours" or the bluesy "St. Louis Blues" to feel the range and lovely tone of this master of the sax
- "Snapshot", 2008, Trio Records, is another outstanding mainstream effort by Wellins, backed by Cleyndert on bass, Spike Wells on drums, and Mark Edwards on piano.
- "Boppin' With Scott", Proper Box, released 2007. These are recordings from 1946-56 on 4 disks with support from house and other UK players.
- "Ronnie Scott and His American Friends", Candid, 2010. This recording includes sessions with Donald Byrd, Sonny Stitt, and Stan Tracey among others, and is very well recorded.